Eric Serritella Furniture

A fabulous limited edition Art Deco bronze of a beautiful young woman in elegant dress with vivid enamel colour highlighted with gilt bronze plaited headband and belt. The figure rai...

Unique III Stoneware sculpture by Lisa Geue Dimensions: D 12 x W 10 x H 21.5 cm Materials: Stoneware with Chamotte, Porcelain Slip, Kaolin, multiple firings Non-functional. Lis...

From the 1912 Vanderbilt Hotel in New York City, Manhattan, located on Park Ave. In the 20th century, the hotel business declined, and the Vanderbilt Hotel suffered foreclosure in 1935 during the Great Depression. In 1966, an investment group purchased the 54-year old structure with intentions of renovating it into a dual function office and apartment building. The top 18 floors would become studio and one-bedroom apartments while the lower floors would be offices and commercial space. “New aluminum-and-glass curtain walls are being erected to sheath the office floors, while the masonry façade of the hotel will be retained on the upper stories,” said one article. But that was just the beginning of the brutality. Penthouse apartments were being constructed on the roof, but the view was obstructed by the terracotta parapet and its massive sculptures. In June 1966 eighteen of the heads were removed, resulting in a gash in the roofline. “The heavy pieces were removed over a period of several days by a 10-man crew of the Drachman Demolition Company,” said The New York Times, “which used jack...

A large vintage decorative Rolls Royce silvered bronze sculpture, The Spirit of Ecstasy, dating from the mid 20th century. The winged maiden was designed by Charles Robinson Sykes (1875-1950), and she stands on an attractive round black marble plinth base. In 1910 Rolls-Royce slowly became aware that some owners were affixing 'inappropriate' ornaments to their cars. Claude Johnson's brief to Sykes was to sculpt a mascot for Rolls Royce that embodied 'speed with silence, absence of vibration, the mysterious harnessing of great energy and a beautiful living organism of superb grace' to become the standard emblem of the Rolls-Royce brand and it was Sykes' daughter, Jo (born 1908) that believed it was on the road from London to Beaulieu that her father first became 'Very impressed with the smoothness and speed of the Rolls Royce car.... imagining that even so delicate a thing as a fairy could ride on the bonnet without losing her balance.' In early 1911 Sykes' presented his mascot, entitled "The Spirit of Speed", to Rolls-Royce. This figurine had her arms outstretched behind her and her gaze firmly fixed forward. She was soon retitled "The Spirit of Ecstasy" by Johnson and became the official symbol of Rolls-Royce automobiles on 6th February 1911. It is a striking piece thought to be a former Rolls Royce car showroom sculpture. Condition: In excellent condition, please see photos for confirmation of condition. Dimensions in cm: Height 70 x Width 31 x Depth 42 Dimensions in inches: Height 2 foot, 4 inches x Width 1 foot x Depth 1 foot, 4 inches The Spirit of Ecstasy is the bonnet ornament on Rolls-Royce cars. It is in the form of a woman leaning forwards with her arms outstretched behind and above her. Billowing cloth runs from her arms to her back, resembling wings. The Spirit of Ecstasy, also called "Emily", "Silver Lady" or "Flying Lady", was designed by English sculptor Charles Robinson Sykes and carries with it a story about secret passion between John Walter Edward Douglas-Scott-Montagu, (second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902) and the model for the emblem, Eleanor Velasco Thornton. Eleanor (also known as Thorn) was the secretary of John Walter, who fell in love with her in 1902 when she worked for him on the aforesaid motoring magazine. Their secret love was to remain hidden, limited to their circle of friends, for more than a decade. The reason for the secrecy was Eleanor's impoverished social and economic status, which was an obstacle to their love. On the other hand, Montagu was married to Lady Cecil Victoria Constance Kerr since 1889. Eleanor died on 30 December 1915 when the SS Persia was torpedoed by a U-boat south of Crete. She had been accompanying Lord Montagu who had been directed to assume a command in India. He was thought to have been killed too, but survived and was saved after several days adrift in a life raft...

Rock crystal sphere mounted on a brass stand. Rock crystal, a form of quartz, has been used in jewelry and ornaments since antiquity, and is the purest form of quartz discovered. Mea...

French ceramist Eric Astoul (b. 1954, Morocco) infuses his sculptures with the essence of ancient and modern earthenware he has encountered along his travels in France, England, Japa...

Hoe-Shaped Currency "Mbili Ngbaka," Ngbaka, D.R. Congo 20th century Iron, accumulation 16 x 7 in. / 41 x 18 cm Height on custom display stand: 18.25 in. / 46 cm This interesting type of iron currency was used for major transactions such as dowry payments. The two wings added to the lower tips of the hoe underline the non-utilitarian character of this type of currency (Ballarini, "The Perfect Form...

"Interface" is a limited edition, original kinetic bronze abstract modern sculpture by Bill Bedford, which manually turns on a concrete block base to show...

Austrian cold-painted bronze figure by Franz Xaver Bergman Austrian, Early 20th Century Height 31cm, width 21cm, depth 14cm This intriguing sculpture was made in early 20th century...

Vintage wooden candlabra remnants from Italy dating back to the 1770's. Remnants are carved from wood and covered in a gold gilt and paint.(Each sold separately) Small: $250 Mediu...

Small statue in Bronze which represent the Spirit of Ecstasy made by Jean Patoue (1887-1936), which stand on a grey Marble base. This object could b...

The Ecstasy Art Deco sculpture is one of the Italian sculptor, Amedeo Gennarelli, nude female figures. This is sculpture is made in Patinated Bronz...